![]() Goolum was first in line, and when he got it, it was freaking GREY inside. I also remember us all being REALLY hungry, so we decided to go for hot-dogs (still in Denmark). ![]() And when he came up there, we all buried him in a wall of flying, erm, balls. I remember Zodiak/Cascada on the way home, we had robbed some childrens-corner in one of the restaurants of all it's colored light balls that you can throw around. I think we made 4 co-op tracks all 3 of us, but it seems I only have one of them left. During the fall of 1995, Vain invited me to stay at his place for the weekend and make music with his stuff, and he also invited Lizardking over, so you can pretty much imagine this being THE best weekend for years. Somewhat late, this is also the year where I was first introduced to the Roland TB-303. ![]() We both moved - LITERALLY over night - to Lidingö, Stockholm, where we shared studio with some other people (Robin/David of Antiloop, and a couple of other guys). I remember back in 1993 I had heard some of his songs, so obviously he was one of the people I looked up to. I have no idea HOW we met, but nevertheless we started making music together IRL. This is the year I met Vain & Lizardking. There was a lot of 'Anal Intruders' songs played at full volume. I remember he was driving around his friend Zacharias in a shopping cart, wearing a white bicycle helmet. This is where I met Dasse for the first time. This year I also went to the Easter94 party in Borlänge. By this year I had made some new friends Killerwolf, Goolum & Tager. In June 1994 I changed my nick to Superunknown (ofcourse inspired of Soundgarden's record), which I had for about 1.5 hour until a friend of mine suggested it should be 'hyper' instead of 'Super' (and without the first h being capitalized), because I've always been hyperactive in several ways. Also, this is the year when I changed my nick to hyperunknown. 32 channels? Oh my god! My music changed a LOT during this year, from being TOTAL crap, to being just somewhat crappy. Now we're talking! With FT2 entering the scene, my life changed completely. During the summer of 1993 i started using FastTracker 1 for PC, and from this point on stopped using the Amiga entirely. I suppose it was one of the Noisetrackers. There's an old video of me (at 0:22 -> 0:25 in the video) sitting infront of my old Amiga 500 and some form of tracker - I don't even remember which one it was. This was the year that I attended my first demoparty called European Computer Conference, and it was held in Örebro, Sweden by the demogroup called Virtual. I got friends who was also involved with the demoscene Leach, Sauna, Fish, DefDac and Capricorn. It consisted only of modules however, no demos, diskmags, graphics etc. I also used Startrekker and Exolon/Fairlight's 8-channel tracker.īy this time, I had my own BBS called Devotion, which was devoted to the demoscene entirely. The oldest filesI have been able to track down, are 2 modules that I made back in 1993. Obviously the sounds coming out of the speakers was NOT something anyone would enjoy. Nothing more than that, just how the basic worked with patterns and notes, no effects or anything. He explained how the pattern setup worked, that there are patterns and in what order they were going to be played, and how the pattern matrix worked, inserting notes with different instruments. Now, the thing is that he actually did take the time. ![]() It's not like I knew him or anything, I hadn't spoken to him at all before this, so basically I suppose it was like some random kid calling him, asking a load of questions about how to use the program. However, I didn't understand shit about anything in the program, so naturally I phoned Mahoney up. I got a disk with Noisetracker on it from an older friend of the family, and I was immediately interested about music made with computers. At this time, I had 2 PC's and one Amiga 500 with extra mem installed. ![]()
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